Young
Jamaican fine artist, Ebony G. Patterson, seems to be the one most
sought after by galleries these days. After winning the Rex Nettleford
Fellowship for Cultural Studies awarded by the Rhodes Trust last year,
Patterson promised something grand and worthwhile. It was no surprise that
she continued with her exploration of gender, masculinity in particular, and
fashion in Dancehall culture. Her new venture is titled, Cheap and
Clean: Interrogating Masculinities Project.
Ebony has a chat with some of the fourteen participants in her
Cheap and Clean Project at Arnette Gardens, Kingston.
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The project includes fourteen young men from the inner city, made
possible with the assistance of the Multi-Care Foundation of Jamaica, a
non-profit organization working with youth from the inner-city in the Arts and
Sports. Over the past few weeks Patterson has been working closely
with all fourteen boys, learning first hand, from their perspective, how they
identify the cultural roles of men in Jamaican society and themselves as males
from the inner-city.
Each child is asked by the artist to design outfits befitting their unique tastes, which they will embellish and later wear for the live projection and documentation of the actual Cheap and Clean project schedule to take place on Saturday, March 10 in Downtown Kingston, Jamaica. The project can be viewed via the web on Facebook through participating pages—Patterson’s artist fan page (Ebony G. Patterson), Alice Yard in Trinidad, Fresh Milk in Barbados, Bermuda National Gallery in Bermuda, the Kentucky Museum of Art and Craft in the USA, and Pop Studios in Bahamas.
Each child is asked by the artist to design outfits befitting their unique tastes, which they will embellish and later wear for the live projection and documentation of the actual Cheap and Clean project schedule to take place on Saturday, March 10 in Downtown Kingston, Jamaica. The project can be viewed via the web on Facebook through participating pages—Patterson’s artist fan page (Ebony G. Patterson), Alice Yard in Trinidad, Fresh Milk in Barbados, Bermuda National Gallery in Bermuda, the Kentucky Museum of Art and Craft in the USA, and Pop Studios in Bahamas.
On March
10 viewers will watch, in real time, a live performance with the fourteen
participants. They will be placed in a constructed photo studio designed
to reflect a Georgian dollhouse. The young men in their uniquely enhanced
outfits will pose for their photographs, which will be taken by noted Jamaican
fine art and fashion photographer Marvin
Bartley.
So what
is this 'Cheap and Clean' concept? Well, I could easily say that it's a
cultural habit fostered by Jamaicans, usually from the lower economic strata,
who pride themselves in donning the sharpest and most expensive looking
attires, without the lofty price tag. In other words: wearing “knock-off
brands” that look the part, adding to the bling and flashy lifestyle. But let’s
not judge too quickly, especially for those of us who love shopping in places
like China town for our glossy looking “no-name” bags, paying a little extra to
get high-end designer labels like Gucci, Prada, or Valentino on them. So
instead of forking out $1000 USD or more, you pay $30 to $40 bucks. Pretty much
the same thing, right? That’s keeping it cheap and clean, or rather inexpensive
but still feeling and looking like a million dollars. However, Patterson
sums it nicely by calling it “being trendy on a budget.”
Ebony provokes one of her participants further to gather reasoning behind his design |
No, your eyes aren't fooling you. Ebony adds the finishing touches to this colourful design by one of the participants |
Out of curiosity I badgered the busy artists with a few important
questions to further explain her experience with planning the project.
What will you find yourself doing up until the
launch of the project?
Well, up
until March 10 I will be meeting with the 14 young men involved in the project,
embellishing a massive dollhouse, discussing designs with the tailor, Chris
Pablo, and telling everyone to friend the Facebook page to see the project.
Also, I’ll be talking to (the web savvy) Ryan Lincoln about the technical stuff
with the project and waiting on the edge of my seat hoping it all falls into
place.
How has the experience been so far,
working with the boys and the young men?
I work with young people all the time and have always loved it;
plus I already have a relationship with the Multi Care Foundation, a
not-for-profit organization that sets up Art and Sports programmes in the inner
city communities and schools. I’m extremely grateful for them allowing fourteen
of their young men to participate in my project. This is the first time I’m
working with only boys and young men, though, and it has proven to be quite
revealing. I’ve learned that some of them have had to grow up pretty fast
because of their community upbringing.
What do you hope people will take away from
your Cheap and Clean project?
I hope the project will call people to question the performative
nature of gender. We are all playing roles—masculine and feminine—and in the
context of the Jamaican culture these roles are played amid major
contradictions. I’m hoping that by using young men and boys it will indicate a
particular place and stage where we begin to formulate these roles, and
question how this affects our larger understanding of gender dynamics.
Hopefully, people will question, again, whether or not these so-called roles
even matter today.
After this outlandish and impressive project,
what on earth will you do to top this?
Oh dear!
I’m excited by this project, but it does not end on March 10th. The
core happens then, but there is a street video series that goes in conjunction
with it. I had a young man, Dushaine Loraine, conduct a series of interviews
with men in his community about their ideas on masculinity. These videos are
quite raw and revealing! These clips will be compiled in a web archive with the
documentation from the rest of the project, including essays from O'Neil
Lawrence, Curator for the National Gallery of Jamaica, and Nicholas Laughlin, a
writer from Trinidad. After all of that, I’ve been invited to do a solo
project, which will be in Martinique in May this year. I’ll be building 73
coffins in response to the Tivoli incursion that occurred in Jamaica in 2010.
Embellished life-size mannequins |
"Out and Bad" tapestry |
And to
think that, at the end of her final response, Patterson has the nerve to modestly say,
“that's all” to the various projects she has planned. This forward-thinker
clearly does not understand the meaning of “too much,” as she continues to turn
heads and wow the art community and those surrounding it with her prolific ideas
and execution.
Be sure
to meet the artist herself, tonight at 8pm Jamaican (eastern) time,
where she will be delving into her ‘Cheap and Clean’ project. To gain
access, simply like her fan page—Ebony G. Patterson, then click on the U-Stream
link located on the left bottom of the menu. Oh, and please support Ebony and
spread the word.
Also,
don’t forget to tune back in on the artist's page on Saturday, March 10 for the
highly anticipated live viewing of Cheap and Clean, also through
U-Stream at 3PM Jamaican/Eastern time!
love the blog expecially the piece on the trinidadian photographer. Continue to do your thing.
ReplyDeleteThank you! I most certainly will!
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