Marvin Bartley's Fashion Photography, and more...
"I always knew what I wanted...where my life is concerned."
Marvin
Bartley steps in front of the camera gracing us with a few poses, some of which
he’s taught models to use.
Believe me, it was as easy to get the photographer to agree to this shoot as it was for him to stop himself from directing it. Some habits are just too hard to break. With his camera pre-set, the
lighting adjusted, and a few awkward moments aside, the shoot picked up pace. Two
outfits later it was finished. Like most photo shoots, we check the images to
see what we’ve got and for a someone who’s spent years looking through the
other side of the lens, most of the images were pretty impressive. The hard
part was really narrowing down.
In
keeping with the shoot I got a chance to delve into Bartley’s fashionable side.
In my previous interview with the photographer for ARC Magazine, I focused on
his first love—fine art photography, but I’ve summoned some detail about his second
favourite, which is fashion.
Bartley
claims he’s always been fascinated with this genre of photography. Fashion magazines
were always stacked in bundles in his dorm room at Edna Manley College, all with the
intention that one day he would have an opportunity to create images that
mirrored high-fashion and editorials campaigns. At first he would practice with
his friends, who would offer their own level of modeling, but the
determination to be great pushed him to eventually work with models, musicians,
commercial clients, and the occasional individual looking for a physical
upgrade. He started teaming with one of Jamaica’s multitalented household
names, Dexter Pottinger, who easily exposed him to a few tips to improving the
way he captured high fashion images, while referring a few styling ideas to the
photographer’s personal style.
These
days, fashion photography is what the young Jamaican does to relax, especially
when he wants an escape from the rigid commercial world.
“My goal for this year is to move my fashion
photography into a very unique expression as I found with the direction I have
in fine art,” Bartley explained, “Because those are the things that make a
difference; when no one else is doing what you do.”
So far, Bartley has proven that his technical style and approach can co-exist in all sectors of photography, where his fine art, fashion and commercial work influence each other. One example is Etana's album "Free Expressions."
His repertoire includes shooting for magazines such as SHE Caribbean, Jamaque,
Iconography, XO Mag, German Playboy, and Ocean Style. Some of his other clients
include Musicians such as, Tifa, I-Octane, Gyptian, Alaine, Shaggy, Sean Paul,
Tarrus Riley, and Richie Spice.
However,
the ardent photographer feels his journey is only beginning. He plans on
catapulting not only his fashion and commercial work, but his fine art as well,
claiming top clients, and the not-so-high ones, who are willing to give him a
chance.
I
wanted my readers to get to know the 29 year-old a little better and Bartley graciously
shared with me his routine and his thoughts about this whole business of
“fashion.”
What’s the first thing you usually do
when you wake in the morning?
I reach for my iPad, put it on Calvary
Chapel, and while that is playing, I generally look on the images for a project
I’m working on then check my email. I’m a gear head. While editing, I’m usually
watching something on photography and the latest gears on my second screen.
What can’t you leave the house
without?
My iPhone and, occasionally, my iPad
Do you believe you have found your
calling and when did you realize that?
Yes. Ever since I got good at it.
Have you crossed paths with anyone
famous or intriguing in your career? What was that experience like?
Even though I’ve met a few
celebrities, like Sean Paul and Shaggy, meeting Renée Cox was the most
memorable. It was a big deal to meet an artist I’ve been researching and whose
work deals with issues that I care about. She’s a very artistic person in both
her works and personality, so it was very exciting. To have her tell me, after
viewing my fine art, that I was unto something good, is definitely reassuring. Even
today she’s still encourages me.
Who do you hope to meet or work with
one day? And why?
Joel-Peter Witkin. He’s the only
photographer that I can identify with in the kind of photography that matters
most to me. I would like to be in the same space with him, or even watch him
work, because, outside of reading about it, that’s the best way to understand
his creative process.
|
Left to right: Jamaican artistes Tami Chynn, Gyptian, Tifa |
How do you usually end your day?
No matter how late I work, I will
still take time out to browse photo-related sites like Digital Photography
Review and DigitalRev TV.
Is there anything that has happened to
you in your life that has sobered you up, or has impacted on your life today?
I always knew what I wanted. I’m very
patient when working towards a particular goal. It’s safe to say that I’ve
never been drunk, where my life is concerned.
What philosophy do you live by?
“Do what you
love and you’ll never have to work a day in your life.” I heard that
at a high school graduation in 1999, and that philosophy has stuck with me
since.
What excites you the most about
fashion photo shoots?
I like doing shoots that involve a
team, like a make-up artist, designer, and stylist. When everyone plays a
separate role, they tend to dedicate meticulous time to it. I believe such
collaborations create beautiful outcomes. I also like the ones that are planned
way in advance and the ones that are impromptu. A model is on hand, the outfits
are materialized out of nowhere and the make-up is ready. Spontaneous moments
like these make the work exciting.
What kind of models do you prefer to
work with?
For the women, I like working with
tall elegant models, who are effortless in their gestures and body language. I
like the facial features to be Afro-European (think Liya Kebede). Sometimes, I
appreciate the angular facial features, a kind of strangeness that can appear
alien.
For guys I like working with men that
are just as tall as me. I’m 6ft 5”, so at times I find it strange to shoot
someone who is below 6ft in height. However, if the model has strong facial
features and is very good, I can easily overlook that.
|
Female model wearing Chantell Walters. Male model wearing Romero Bryan for Iconography Magazine |
Do you have any tips for aspiring
photographers?
Don’t just know all the technical
things. Just do it. Don’t just buy all the equipment you can buy. Use them.
What is your fashion sense?
Anything that’s not what you see every
day. I don’t like trends or the idea of everybody wearing or doing the same
thing. I like when people have some originality. The fact is everything has
already been done and having a fashion sense is finding out what works for you,
your body type, your personality and making the most of it. It really doesn’t
change that much once you find it. That’s when you have your “sense” and not
what everyone dictates.
See More Images from Marvin Bartley's Portfolio: